DCSIMG

No dead wood in superb Calamity

IT'S 17 years since the Deadwood Stage last whipped and cracked its way onto the stage of the Victoria Halls in Selkirk ... and a staggering 57 years since Doris Day first wowed cinema-goers with her vivacious portrayal of Calamity Jane.

But now, fresh as paint, the stagecoach has rolled back into the Royal and Ancient Burgh and a largely young cast is breathing new life into the classic musical western.

And judging by the rapturous reception the players were accorded on Tuesday's opening night, Selkirk Amateur Operatic Society has scored a sharpshooting hit with its exhilarating production of a show which was devised by Warner Brothers in response to the success of Annie Get Your Gun.

Society president Alistair Pattullo acknowledged that regular attendees would "notice the absence of some weel kent faces".

"Like any dynamic company, we are subject to change and we were lucky enough to welcome some new talent," he added.

That fortuitous blend of newcomers and seasoned performers upheld the finest traditions of musical theatre and extracted every ounce of the show's most endearing ingredient: fun.

As the eponymous heroine, Hanna Durham, aged just 16 and a product of the Borders Youth Theatre, was a revelation from the moment that stagecoach arrived in Deadwood, South Dakota. A precocious talent, Hanna brings terrific energy to the role made so famous by Day.

She sings and acts with exuberance (The Deadwood Stage and Windy City), with power and tomboy pique (her duet with Wild Bill Hickock during the hate phase of a hate-love relationship) and with sensitive conviction on Secret Love which won an Oscar for composers Sammy Fain and Paul Francis Webster.

Calamity is based on the real life hell-cat of the same name: swaggering, belligerent, hard-drinking, handy with gun, knife and bull-whip, and purveyor of exaggerated stories of her exploits to the regulars in the Golden Garter saloon, owned by her friend Henry Miller (Peter Robertson).

A near riot ensues in girl-starved Deadwood City when it emerges that new bar-room performer Frances Fryer is, in fact, a male (a treat of a cameo from Robin Murray) and Calamity vows to go to Chicago and bring back acclaimed singer Adelaide Adams (Michelle Hoppe).

Mistaken identity leads Calamity to return, instead, with Adelaide's maid Katie who, after a nervous start treading the boards in the saloon, becomes the accomplished singer and dancer Katie Brown (Olivia Hoppe).

The chemistry between Hanna and Olivia, another 16-year-old "stalwart" of the Borders Youth Theatre, first as rivals, especially when they are vying for the affections of the dashing Lt Danny Gilmartin (Julian Colton) and Hickock (Raymond D'Agrosa) respectively, belies their youth.

And it sparkles through to their renewed friendship when the right females end up with the right men.

With great songs and a drum-tight chorus (a glorious Black Hills of Dakota), complemented by classy sets from Border Studios and hoe-down dance routines, Calamity Jane represents a hugely successful Selkirk debut for director/choreographer Jane Houston-Green who gets the most from a willing company.

It was an impressive baptism, too, for musical director Nancy Muir, a singing stalwart of many of Melrose's famous Gilbert & Sullivan productions.

"What a great show," exclaimed Alistair Pattullo yesterday. "People

have been coming up to me on the

street saying they enjoyed it so much they want to come back and see it

again."

Calamity Jane continues tonight and tomorrow with curtain up at 7.30pm. A Saturday matinee takes place at 2pm.

Cast and Crew

ON STAGE

Calamity Jane – Hanna Durham

Wild Bill Hickock – Raymond D'Agrosa

Lt Danny Gilmartin – Julian Colton

Katie Brown – Olivia Hoppe

Henry Miller – Peter Robertson

Susan – Karen D'Agrosa

Francis Fryer – Robin Murray

Adelaide Adams – Michelle Hoppe

Rattlesnake – Brian Redman

Doc Pierce – Ian Wilson

Joe – Joy Snape

Hank – Graham Milroy

Pete – Andrew Cockburn

Colonel – Jim Terras

American Indian – Morag McLintock

Stage Door Johnnies – Graham Milroy, Alistair Pattullo, Brian Redman and Ian Wilson

Dancers – Tracey Freedman, Jenny Fuller; Chloe Heatlie, Yvonne Mitchell, Sandra Oliver, Tina Orr, Jill Richardson, Pam Warren and Lorna Watson

Chorus – Margaret Borthwick, Maureen Cockburn, Pauline Douglas, Barbara Hood, Graeme Lilley and Dan Mayoh

PRODUCTION

Director/choreographer – Jane Houston-Green

Musical director – Nancy Muir

Rehearsal pianist – Dave Macky

Sound – Stuart Wilson

Lighting - Dougie Squance

Costumes – Utopia

Scenery – Border Studios

Stage extensions – Scott's Selkirk

Wardrobe – Hilary Bell, Elaine Dunipace and Eleanor McCudden

Front of house – Lynne Robertson,

Agnes Mitchell, Alison Brown, Margaret Moyes, Margery Inglis, Eleanor Scott, Cath Henderson, Dilys Wheelans, Isobel Hogarth, Edith Scott, Lorraine Hastie, Shelagh Donnelly, Mandy Coulson, Wendy Boustead, Peter Scott and Eric Middlemas.

Make-up – Jennifer Thomson, Fiona MacLeod and Kate Channon

Hairdressers – Moira Mitchell and Katharine Fuller

Stage manager – Nigel Maltman

Stage crew – Derek Brown, Jake Douglas, Stuart Moyes, Gerald Beggs, Rob Duff, Grant Brown and Peter Henderson

Programme – Alistair Pattullo

Posters and programme cover – Brian Appleby

Prompt – Sandra Harkness

Calls – Eleanor Coulson

Ticket sales – Scott's Selkirk

Photography – Alistair Pattullo

ORCHESTRA

Trumpets – Graham Kennedy and

Sylvia Smail

Trombone – Les Rose

Saxophones – Steve Lilley, Paul Cormie and Amy Ward

Violins – Cath Cormie, Tony Kime and Louise Cormie

Cello – Robert Hoppe

Double bass – Kit Mui

Drums – Graeme Borthwic

Piano – Dave Macky


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Friday 25 May 2012

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